The records

• 2010 Chuck Person's Eccojams Vol. 1 Daniel Lopatin as Chuck Person · Not recorded One short loop from a decades-old pop song, slowed and drowned in reverb and delay, repeated until it stops being the song and becomes a state. Eccojams
• 2010 Holograms 骷 [Skeleton] as 骨架的 · Not recorded Proto-vaporwave from the same year as Eccojams, made by someone who has never given a name. VaporwaveEccojams
• 2011 Far Side Virtual James Ferraro · Hippos in Tanks Ringtones, muzak, ATM beeps and Skype-startup optimism, arranged as though the sound design of consumer technology were a chamber ensemble. Utopian virtual
• 2011 Floral Shoppe Vektroid as Macintosh Plus · Beer on the Rug Voices slowed to wordless drawls over tempos abused at whim. Its second track, a chopped-and-screwed reworking of Diana Ross's "It's Your Move" titled リサフランク420 / 現代のコンピュー, is the most recognisable piece of music the genre has produced. VaporwaveEccojams
• 2011 Replica Daniel Lopatin as Oneohtrix Point Never · Mexican Summer / Software Built entirely from samples pulled out of 1980s and 1990s television commercials — Lopatin isolating audio he found harmonically intense, and the "strange pauses and little incidental sounds" around the pitch. Plunderphonics
• 2012 Blank Banshee 0 Blank Banshee · Not recorded Vaporwave's sample haze with trap drum programming underneath it — beat-forward enough to move a room rather than a pair of headphones. Vaportrap
• 2013 SAILORWAVE Macross 82-99 · Not recorded Japanese city pop chopped into French-house loops and filtered — the genre at its most danceable, paired with 1980s and 1990s anime imagery. Future funkCity pop
• 2013 Hit Vibes Saint Pepsi · Keats//Collective Gibber boogie: the Mario Kart 64 soundtrack and 1980s slow jams cut into something The Fader called "restless and nostalgic and sonically curious". Future funk
• 2014 Palm Mall 猫 シ Corp. · Not recorded Nine tracks built from samples of elevator music, reverbed into the acoustics of a building rather than a room. MallsoftMuzak
• 2014 Dream Sequins® Nmesh · AMDISCS Abrupt sampling and transitions that border on plunderphonics, assembled into something reviewers kept describing as unnervingly nostalgic — dreamlike rather than degraded. PlunderphonicsBroken transmission
• 2014 Hiraeth 猫 シ Corp. · Not recorded The record that made 猫 シ Corp. a fixture of the scene, a year into releasing independently. MallsoftAmbient vaporwave
• 2015 World Class Luxury Elite · Not recorded 1980s pop and jazz slowed until it sounds like a programme taped off a 4:3 television and left running after midnight. Late-night lo-fi
• 2015 新しい日の誕生 / Birth of a New Day 2814 · Dream Catalogue Ambient, cinematic and largely sample-free — original instrumentation scoring a city that does not exist. Rolling Stone called it "a late night cruise through the cyber-future dream highway". DreampunkSlushwave
• 2015 Prom King Saint Pepsi as Skylar Spence · Carpark Records House and disco run through his own production and, for the first time, his own voice — tight, enveloping dance tunes built for a full-band live act rather than a bedroom upload. Future funkCity pop
• 2016 Rain Temple 2814 · Dream Catalogue Produced without samples in Reason, the two of them alternating on each track — one would start, then they would send it back and forth until it was done. The A.V. Club singled out “Eyes of the Temple” as the most cinematic thing on it. DreampunkAmbient vaporwave

Named as canon-worthy and awaiting research. Two of them carry no confirmed artist attribution yet, which is exactly why they have no page.

• Skeleton 骷 [Skeleton] · 2010 A self-titled 2010 release by the anonymous Queens artist — not, as an earlier revision of this list had it, an Internet Club album. Corrected; still needs writing.
• 슈퍼마켓 Yes! We're Open 식료품groceries The supermarket-concept landmark, and the mallsoft record most often named beside Palm Mall.
• News at 11 — Named in the mallsoft canon; artist attribution needs checking before it is written up.
• Computer Decay Infinity Frequencies · 2014 The middle record of the Computer Trilogy, 3 January 2014. Attribution now confirmed; the entry still needs writing.